In the biological context, the term 'copulating' is expressed as the primordial impulse of union between individuals, manifesting the very essence of life through sexual mating between creatures. This act, intrinsically linked to the archetype of union and perpetuation of existence, underlines the complexity and beauty of biological dynamics, revealing itself as a crucial point in the eternal dance of nature.

'Copula' is a reflection on human relationships, embodying the delicate balance between connection and detachment. The enveloping forms of the two male and female elements that make up the work evoke an embrace that invites contemplation, suggesting that interactions can be as intimate as they are complex. The black steel, with its opaque surface, is not a mere aesthetic detail; it contributes to creating an atmosphere of solidity and presence, in which the bond between the forms becomes a metaphor for the relationships themselves, capable of appearing both strong and fragile at the same time. Cavenago succeeds in translating the idea of communion into physical form, making us reflect on how we connect and distance ourselves from one another.

"Copula" sin questions the meaning of intimacy and the complexity of the bonds we build. The sculpture, despite its sobriety, manages to establish a silent dialogue with the viewer, offering food for thought on the nature of relationships and the value of sharing. 'Copula' invites us to explore our condition as interconnected beings. With her discreet elegance, Cavenago reminds us that relationships, even with their difficulties, are an essential part of our existence.

L.B.